Taken with a Mamiya 645 Pro, Ultrafine 100 pushed to 400. Darkroom print on Foma Fomabrom matte paper.

Taken with a Mamiya 645 Pro, Ultrafine 100 pushed to 400, and orange filter. Darkroom print 20X24 (508 X 609.6) on Foma Fomabrom matte paper.

Instead of getting paid cash for the photo shoot, I asked to get paid in these Browline eyeglasses. This is the similar style worn by Lyndon B Johnson, Malcolm X, and employees of NASA.

A bridge physically to nowhere—-mentally to everywhere. Taken with a Lubitel 166+, Ultrafine film 100 pushed to 400, and a red filter.

He’s riding into the sunset on a white horse, to the spirit world. This bee worked himself to death, for the good of the queen, for the good of the hive.

Strangely, the unique plants in atrium didn’t impress me, but their shadows left on a worn wall, caught my attention. Taken with a Lubitel 166, Ultrafine 400 film, and an orange filter.

It’s amazing how hornets can support their huge nest, on a single, thin branch. Taken with a Lubitel 166, Ultrafine Xtreme 400 film, and a orange filter.

The Cone of Shame

Taken with a Lubitel 166, 400 Ultrafine Xtreme 120mm film, and an orange filter.

Kick’it old school

A small marsh area, recovering from the pollution by a petroleum based company. Taken with a Lubitel 166, 120mm ultrafine xtreme 400 film, and a red filter.

Not to sure if pounding back 12 rolls of sushi and a small bottle of Sake, before jumping on the fixie, was a smart idea. If you see a guy puking and weaving through NYC traffic, please be nice to him.

Where the magic of the development and expansion occur? Do you have a dark room? In college, we have a photo club and I belong there :)

Nice, definitely use the college one, because a personal darkroom can get expensive.
If it’s work related, then I use their darkroom. When I’m out on the prowl, I stop by the indie lab in Brooklyn, NYC, to kick it with other photographers. If I get burnt out from all the eye candy, then I go home and use my darkroom.

May 6

An aging valve rusted shut, taken with a Lubitel 166, 120mm Ultrafine xtreme 400.

May 6

The electrical fire was so hot, it scorched the metal black, coated the room in a thick haze, and melted the gauge’s faceplate. Taken with a Lubitel 166, 120mm Ultrafine xtreme 400.

May 1

In my travel down the east coast, of United States, I came across a long painted building. It was painted with birds of pray, soaring high above the naked trees. Taken with a Lubitel 166, 120mm Ultrafine Xtreme 400 film.

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